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Allen & Heath ZED-18 10 Mic/Line Inputs, 4 Stereo, USB and Sonar X1 L.E.

 

  • 10 mono channels
  • Neutrik mic XLR
  • Neutrik 1/4 inch jacks
  • Channel insert
  • Super wide gain ‘DuoPre’ mic line input
  • 3 band EQ with MusiQ
  • 4 auxes
  • Illuminated mute
  • Sound image pan
  • Illuminated PFL & peak warning indicator

 

  • ALPS 100mm faders
  • 4 stereo channels with 2-band EQ
  • Stereo returns & playback
  • All inputs with level control
  • 12 bar meters
  • Mono/stereo function on auxes 1&2
  • Monitor output section
  • Alt stereo output source
  • Configurable USB stereo audio in/out
  • Global +48V phantom power
  • Rack ears available
SKU
ALLZED1802X
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ZED-18

ZED-18 has an incredibly advanced feature-set for a mixer at this level – it gives musicians, venues and hire companies access to 10 full mono channels and 4 stereo channels in a compact, rack mountable format. Configurable USB audio in/out makes it easy to capture stereo recordings.

USB AUDIO FLEXIBILITY

Getting audio to and from a computer easily is now a common requirement for live sound and music production. The way this has been implemented on ZED is super-flexible and super-easy! No longer do you need to fiddle around the back of your PC to get to the soundcard inputs, only to find that the levels are all wrong and noisy. Just plug in a USB lead to your ZED, select the USB routing on the mixer and the device on your computer and that’s it! CD quality audio to and from your PC or Mac. Switches and connection through jack socket terminals provide different send/return configurations:-

SEND OPTIONS
1) Main Mix Left + Right (Post-fade)
2) Main Mix Left + Right (Pre-Fade)
3) Auxes 1-2
4) Auxes 3-4

RETURN OPTIONS
1) To Stereo 3 channel


MUSIQ
ZED-18 features a responsive 3-band, swept mid frequency EQ design which utilises MusiQ – with optimised slope (or Q factor) for equalising individual instruments.

DUOPRE
Based on the proven pre-amps from the hugely successful PA series, ZED-18 has DuoPre pre-amps, which use a two stage design, with carefully controlled amounts of gain in each stage. When amplifying the signal from the XLR input, the gain range is huge – 69dB of range to be exact – and is very evenly distributed around the gain control, meaning better control of signal level. Most of the gain comes from the first stage, so unwanted noise is kept to a minimum. Line level signals are simply plugged into the second stage of the pre-amp by using the line input jack socket, which has the great advantage of less noise when using the line input and also matching to a higher input impedance.

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Not only do we stock a fantastic range of microphones, loudspeakers and amplifiers, we provide unrivalled customer care, advice and technical assistance to our customers. If you need some advice on any of our products or services – we’re here to help. If you need something quickly – we’re here to help. If you need hard-to-find specialist items, custom-made pieces, pointers on how to connect this to that – we’re here to help. We work really hard to be the kind of people we would like to buy from, and this level of service is often hard to find via impersonal and anonymous e:commerce sites.

 

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With specialists in PA Systems, Pro Audio & Live Sound equipment on hand to answer calls and emails, you're in the best possible hands. Contact us now to discuss your requirements or to request a quotation. Purchase orders can be sent directly to sales@pasystems.co.uk